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This entire movie depends on viewers taking Rogers's side and agreeing with him that superheroes should be free to run fast and loose despite the fact that letting them operate unregulated would never happen in real life.
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Yet Evans manages to infuse Rogers with a sense a dignity and humanity that makes the film work and gives the audience confidence that they've picked the right man. His character, Steve Rogers, is the kind of man who probably spends his days off just driving along an open road in a Volvo, 5-star safety rating and all, a mere 7 miles an hour above the speed limit. His most emotional scenes sometimes feature only him and his chiseled jaw.
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His dialogue isn't peppered with one-liners or doused in sardonic humor. Civil War represents the summation of Rogers's journey in the four years or so since he's been thawed from his deep freeze, he's finally figured out who he is.Īnd Evans has evolved right alongside his character, becoming a fine actor who easily holds his own against Downey as Iron Man, Civil War's main jerk/villain.Įvans's role is less flashy than Downey's. Captain America, started off as a fascinating, faintly plastic character in Captain America: The First Avenger (2011), graduated to comedic foil in The Avengers (2012), transitioned into a man out of time and place in The Winter Soldier (2014), and became a de facto leader at the end of Avengers: Age of Ultron (2015). It also dares to ask: How much is one bromance worth? Chris Evans is a bona fide star Peel back the layers of sparkle and shine, the muscles on top of muscles, the zipping around through the sky, and all the brutal fights, and you've got a movie that earnestly believes our friendships have the power to define us, and to reveal humanity at its best. Cap believes that becoming a free agent for the United Nations means fighting other people's wars.īut at its core - without giving too much away, because the plot is incredibly intricate and riddled with spoilers - Captain America: Civil War is about friendship. Iron Man (Robert Downey Jr.) sees regulation as a necessity, the only thing that separates superheroes from supervillains. What happens when the only reason these people have for living is taken away?
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It's an incredibly difficult decision to make, since Captain America and his friends are professional fighters it's not like Scarlet Witch ( Elizabeth Olsen) can just start selling yoga pants at Lululemon or Falcon ( Anthony Mackie) will be just as happy teaching diners how to construct lettuce wraps at P.F. Civil War says it's about politics, but it's really about friendshipĬivil War is loosely wrapped around a political skeleton: After cities like New York, Washington, DC, and Lagos, Nigeria, are caught in the crossfire between good and evil, Captain America and his fellow Avengers are given a choice: Either sign away their autonomy to the United Nations, or retire. This is one of the best movies Marvel has created. Let me lie back and dream of the English countryside as Chris Evans bicep-curls me into oblivion. If loving Captain America: Civil War is to love a soulless beast, then just leave me here. A man bicep-curl ed a helicopter, and it touched my soul. There is a moment in the new film where Chris Evans's Captain America bicep-curls a helicopter. They have the unique ability to bring us sweet joy, to make us question our own morality, and to leave us in sheer awe. And we're all too busy grading on a curve to notice.Īfter seeing Captain America: Civil War, which is perhaps the most quintessentially Marvel movie about the most perfect and soulless superhero in the company's war chest, I say: Fuck that noise.ĭirected by brothers Joseph and Anthony Russo (who also directed Marvel's second Captain America film, 2014's The Winter Soldier), Civil War is a crackling bundle of celluloid that reminds us of just how dazzling superheroes can be. The most common criticism of this approach is that the company's blockbuster behemoths come away from this formula feeling clinical, that they're soulless, corporate exercises obscured by flash and gloss. From Iron Man to Guardians of the Galaxy to Thor, the company has honed a rhythm and a pattern that encourage consistency the result is that none of the studio's films, regardless of who's in the director's chair, will ever stray too far from the crisp, almost bookish Marvel formula (good guys don't know they're good guys good guys squabble jokes are made bad guys acquire devastating weapon more jokes are made good guys come together to defeat the Big Bad, etc.).